 |
"Frames Per Second is [Eidson's] fifth novel
and easily his most complex and ambitious. Eidson is reaching
for a lot here and he comes away with enough to make even the
great John D. McDonald proud." © Kirkus
Reviews |
 |
Bill
Eidson is back with a new thriller set in the Boston
area: the story of Ben Harris. Harris is a talented news photographer
whose job puts him where the action is—a job that's costing
him his marriage and his family. As the novel begins, Harris walks
into what could be one of the most visible--and dangerous--shoots
of his life.
At the request of the FBI, Harris goes in with a television news
crew to cover an infamous right-wing extremist who is holding a
family hostage. But the fanatic has more than a standard pose in
mind, and Harris must intercede or cover a bloody killing. Intercede
he does, and he comes out with the photograph, and the unwanted
fame of a public hero.
For Harris's ex-wife, Ben has taken one risk too many, and she
accepts the marriage proposal of the man she has been seeing for
the past six months--Harris's editor and boss, Kurt Tattinger. For
the sake of his two children, Harris swallows his pride and offers
his hand in friendship to Tattinger.
Then tragedy strikes. While driving Harris's surveilance van, reporter
Peter Gallagher--Harris's best friend--is killed by the blast of
a concealed bomb. The real question: Was the bomb intended for Harris
or Gallagher?
Harris looks into the stories Gallagher was investigating. Who
was behind the bombing? Was it the philandering Senator Cheever?
A simple act of personal vengeance? The vicious young mobster, Jimbo
McGuire? Or was it Harris's greatest fear: a retaliatory strike
by the right wing, intended for Harris himself?
Frames per Second is the story of Ben Harris, a flawed
but good man trying to make the best of a bad situation. Trying
to uncover the truth of his friend's death, trying to keep his family
together, trying to reconcile with the new man in their lives--and,
ultimately, fighting desperately simply to keep them alive. |